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A young, and very imposing, Hitokiri Battousai.
Battousai realizes that the wound he took to his face is still bleeding profusely.
Hitokiri Battousai looks back over his shoulder.
The Hitokiri Battousai walks down the street in his straw hat.
Battousai leaves his room looking for Tomoe.
Hitokiri Battousai faces down the enemy, looking ... scary.
Kenshin peeks carefully around the darkened back fence of the inn.
Kenshin, the Hitokiri Battousai, turns in the midst of a pitched battle with the Shinsengumi.
Battousai the Manslayer cuts through an enemy on his way to find Tomoe.
Injured Kenshin's labored breath forms a cloud in the cold air.
A saddened Kenshin, deep in thought, bids farewell to an important person.
Kenshin surveys the victory at the Battle of Toba-Fushimi.
Kenshin, basking in the sun on the porch, notices Kaoru's approach.
Kenshin's eyes widen as he realizes he was just about to kill Jin-e.
Kenshin somberly disagrees with one of Kaoru's observations.
Kenshin gazes in awe at Shishio's death by fire.
Kenshin's shirtless here, because he's been badly injured.
Kenshin stands in the sun, sword at the ready.

Kenshin, basking in the sun on the porch, notices Kaoru's approach.
Sequence: A11
Layers: 1
Sketch: 1 Matching
Background: Original Nonmatching

Rurouni Kenshin OVA - Kenshin (18)
The beginning of the end. :-) Kenshin is basking in the sun when Kaoru approaches, bucket of cleaning water in her hands. 'As long as you're going to stay here, you can help me clean the dojo.' While this background isn't matching, it's close enough to give the flavor of the scene. This to me is one of the most visually beautiful scenes in all of anime. It's hard to grasp that this film was actually created using cels, because their detailing is so exquisite and vivid.

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